(Mazenod, n.d.)

VCE Media statement of intention

Within 21st-century contexts, the Media Arts has become a unique subject that connects students to their digital surroundings and integrates education with the emerging demand for young people to develop media and technological competencies (Goldsmith, 2014). Greatly characterised by its cultural history and the continuous development of modern discourse, the Media Arts often act as a vehicle to prepare students with important knowledge, skills, and digital fluencies that are valuable in the contemporary media landscape. With this understanding, I have developed a VCE unit 3-4 study planner for the Media Arts in conjunction with the VCE Media Study Design, providing students “with the opportunity to examine the media in both historical and contemporary contexts while developing skills in … production”, representation, and communications (VCAA, 2023).

To accompany this, I have created a refined list of primary resources that should be used alongside the VCE planner to extend and influence productive student learning, summarising each resource and its most helpful qualities. Furthermore, I have engaged with a professional development plan with the aims of auditing my current skills and knowledge, ‘addressing the gap’ in said knowledge and setting up an improvement plan to work on with the support of a variety of resources.

Developing a VCE Unit 3-4 Media Planner

In creating the planner, I aimed to first discover and learn the scope of the whole year and how each Area of Study (AOS) or assessment task is worked into the term timeframes. Once understanding this information, I was able to formulate a planner, align key/assessment dates, and set overarching headings for the planner, sectioning each term into weeks so I could begin inputting weekly content. Alongside this, it was important to build my understanding of the media study specifications to successfully identify and implement learning resources and approaches to satisfy the key knowledge and skills in each AOS.

To engage with the planner, each week first outlines the AOS students will be working on in that timeframe and summarises the topic or focus for the week's content, giving students a visual list of what is to be completed and what learning areas they should be working on. Often in VCE media, students will be simultaneously working through multiple AOS’ at one time, so I’ve made it clear what will be a focus and what AOS the task pertains to. Following this, the key knowledge and skills that should be worked upon each week are specifically outlined, linking weekly learning progress to the Study Design’s assessment and learning requirements. The lesson plan/class content included for each week is quite comprehensive, clearly outlining the tasks that will be worked upon throughout the week while providing additional notes for teachers on what content to supplement each task with. The assessment-specific overviews, content recaps, and explicit links to media technical elements and processes should provide students with a lot of support when deciphering their learning responsibilities.

Within the VCE planner, pedagogical approaches are implemented across each week with media best practices to encourage student productivity and engagement with content. The planner has been formed to incorporate an inquiry approach in almost all facets of learning across units 3-4, encouraging students to “[form] their own questions about a topic … [while] having time to explore the answers” (Churchill et al., 2021). Through engaging a consistent inquiry approach, students are afforded the opportunity to kickstart investigations in contexts of interest, set their own goals, and reflect meaningfully on their content engagement (Churchill et al., 2021). Linked closely to this, students are also encouraged to act with agency and “play an active role in deciding what and how they will learn” (OECD, 2019, p. 2). This approach is proven to foster the presence of intrinsic motivation, incentivising students to shape their own learning avenues and complete tasks defined by their interests (OECD, 2019, p. 2). Dispositional Thinking pedagogy is also an approach that is intertwined throughout the planner, spearheaded by AOS tasks and explorations that “trigger and direct an individual’s abilities towards good productive thinking” (Churchill et al., 2021).

Furthermore, a selection of the High Impact Teaching Strategies (HITS, 2019) has been integrated into the planner to inform teaching approaches and support the variety of learning needs present in the classroom each day. Questioning strategies are largely evident in the planner, used to “[stimulate] curiosity and interest [while] engaging and challenging students” (Churchill et al., 2021). Additionally, strategies such as collaborative learning, goal setting, worked examples, multiple exposures, differentiation, and feedback are all implemented to enhance student learning outcomes (HITS, 2019).

Planner Structure

The overall structure of the planner is easy to navigate, following a week-by-week scaffolded learning process while clearly defining AOS outlines. Alongside viewing the core class content and areas of skills/knowledge, students can easily view key assessment dates and interruptions, have direct access to resource links, and check their homework expectations for the current and following weeks. For teachers, the planner provides a list of the most productive pedagogical approaches for the week's provided tasks and further includes guidance for authentication timelines as well as what should be assessed. Best used as a flipped learning tool, the planner provides a timely structure for both students and teachers to follow so they can stay organised and prepared throughout the year.

Resources

The resource section of the planner contains a variety of impactful links that can support both teachers and students through the progress of each week’s learning, supplied next to the class/lesson content to relate to weekly learning outcomes. In particular, The Victorian Curriculum and Assessment Authority (VCAA, 2023) is a vital resource that is featured often in the planner, supporting in-depth planning, and home to most of the VCE technical requirements, assessment outlines, and questioning support needed to kickstart student productivity. Furthermore, media-specific teaching websites such as Mediaknite (2024), Lesson Bucket (2024), and Mangan Media (2015) are heavily featured in the planner to enhance content delivery, provide detailed media analysis, and elevate production exploration across multiple media forms. Each of these sites has flipped learning capabilities, incorporating focus sections for each VCE media AOS while including worked examples and additional supportive links. In developing this planner, Caudullo and Kelly’s (2020) Art and Design Education VCE website has been an excellent resource in guiding the implementation of key content for each AOS and has a large variety of purposeful links and tutorials to add context to learning. Each of these resources has been reflected upon and annotated with more attention in the resource list accompanying the planner.

Website as Pedagogical Tool for Learning & Teaching

As a pedagogical tool, this web-based portfolio that contains the planner and my professional engagement audit will be an exceptional resource for when I become a senior secondary teacher. Within the field in 2024, having a website as a key pedagogical resource is very advantageous, as it is easily accessible from any device, and it can contain the core of educational planned content within one concise and clear location. This contemporary approach is also a fantastic way to show off your professional capacity as a teacher, demonstrating that you are digitally literate and that you have a great knowledge of the digital landscape. For teaching, this web portfolio can quite easily be converted into a flipped learning tool, utilised efficiently to share weekly planning content, resources, and assessment tasks. Additionally, the web portfolio always can be updated and added to, meaning that as you grow more competent as an educator, you and your students will be able to show off and have access to a more substantial breadth of work at any time.

Professional Development

The professional learning that I have engaged with in this task has been some of the most impactful learning I have experienced on my pathway to becoming a secondary school educator. Completing the planner task has connected me to a variety of meaningful resources, encouraged me to explore multiple skill and knowledge areas, and taught me how to set up a lesson plan and identify specific approaches to support positive student learning. Over the course of this task, I have become a lot more confident in my knowledge and capabilities in the Media Arts, and through identifying my weak points in the engagement audit I now know where I can start to seek professional development. In the future, I plan to continue to develop my website and its education capabilities, and I intend to continue to review my professional practice alongside the AITSL standards (AITSL, 2017).

(Murray, n.d.)

References:

Australian Institute for Teaching and School Leadership (AITSL). (2017). Australian Professional Standards for Teachers. https://www.aitsl.edu.au/standards

Caudullo, E. & Kelly, M. (2020). Art and Design Education VCE. https://artdesigneducation.wixsite.com/home/secondary

Churchill, R., Godinho, S., Johnson, N. F., Keddie, A., Letts, W., Lowe, K., Mackay, J., McGill, M., Moss, J., Nagel, M. C., Shaw, K., Ferguson, P., Nicholson, P., and Vick, M. (2021) Teaching: Making a Difference (5th ed.). John Wiley & Sons, Incorporated, Melbourne, AUSTRALIA. http://ebookcentral.proquest.com/lib/deakin/detail.action?docID=6729416

Goldsmith, B. (2014). Media arts should be at the core of the Australian Curriculum. [online article]. The Conversation. https://theconversation.com/media-arts-should-be-at-the-core-of-the-australian-curriculum-33401

Olsen, D. (2012). The Inclusion of Media Arts in Next Generation Arts Standards. [report]. National Coalition for Core Art Standards (NCCAS). https://nationalartsstandards.org/sites/default/files/Media%20arts_resources/NCCAS_%26_Media_Arts_7-28-12%20FINAL.pdf

 Knite, N. (2024). Mediaknite Educational Resource. http://www.mediaknite.org

 Lamb, B. (2024). Lesson Bucket. https://lessonbucket.com

Mangan Media. (2015). Media Curriculum and Student Gallery. https://www.manganmedia.com

Organisation for Economic Co-operation and Development (OECD). (2019). Conceptual learning framework: Student Agency for 2030. OECD. https://www.oecd.org/education/2030-project/teaching-and-learning/learning/student-agency/Student_Agency_for_2030_concept_note.pdf 

State Government of Victoria. (2019). High Impact Teaching Strategies (HITS). Department of Education. https://www.education.vic.gov.au/school/teachers/teachingresources/practice/improve/Pages/hits.aspx

Victorian Curriculum and Assessment Authority (VCAA). (2023). Media Study Design. [Report]. Victorian State Government. https://www.vcaa.vic.edu.au/curriculum/vce/vce-study-designs/Media/Pages/Index.aspx

Site Imagery:

Mazenod, B. (n.d.) Contemporary Photography. Unsplash. https://unsplash.com/@thebarlemy

Murray, C. (n.d.) Film Production. Unsplash. https://unsplash.com/@seemurray