(Van Gogh, 1887)

(Huls Parera, n.d.)

(O’Toole, 2014)

The multidisciplinary nature of the visual arts has proven to support students in developing advanced capacities across the general capabilities highlighted throughout the Australian Curriculum, none more so than becoming literate and numerate.

To support the development of literacy capabilities, the visual arts incorporate a range of communication-based activities and encourage students to express thoughts and emotions through a variety of digital, printed, and visual materials that align with literacy components (ACARA, 2011, p.23). Furthermore, Numeracy is supported when students partake in activities that require the interpretation of symbols, graphs, and the use of measurement skills to create and design within visual arts software (ACARA, 2011, p.23). Importantly, visual art is a valuable lens through which we can learn and understand the perspectives of Aboriginal and Torres Strait Islanders and can be a tool to investigate how diverse students perceive the world within their culture or lifeways (Raphael and Hunter, 2017, p.253). Engaging with Aboriginal and Torres Strait Islander perspectives ensures that students are learning through the highlighted cross-curricula priority.

Within modern studies, it is widely documented that students who learn within arts subject areas achieve overall better marks across subjects and have a “more positive self-concept than those … who are deprived of arts experiences” (Ewing, 2011, p.13). These studies display a convincing correlation between participation in the arts and enriched development in academic, individual, and social capacities (Ewing, 2011, p.13).

When we ask what constitutes a well-educated student, a successful learning and teaching experience, successful schooling, or educational success, only then can the Arts be viewed to have found its rightful place in formal education contexts.
— (Gadsden and Ewing, as cited in Ewing, 2011, p.54)

visual Arts Advocacy

As teachers, schools, and educational bodies alike negotiate new approaches and challenges to learning in 21st-century contexts, growing is the understanding that an education rich in the arts is integral to the success and development of young minds. Professed as the “generator of change” (Enoch, 2009, as cited in Ewing, 2011, p.2), the arts embody a valuable relationship with learning that enables students to explore important connections with identity, creativity, and expression, while simultaneously providing students with the tools to become successful individuals within society (Ewing, 2011, p.2). 

 According to Wyn and Wyszomirski (as cited in Ewing, 2011, p.2-9), arts-based skills such as creative thinking, innovation, and problem-solving are ‘must haves’ when stepping into modern living and are extensively valued in multiple avenues of work. These particular skill sets developed through arts education are considered to be “necessary for many vocations in diverse industries” (ACARA, 2011, p.25) and often provide varying professional realms with specialists that have extensive creative and technical capacities.

As outlined in the Australian Curriculum, visual arts are conceptualised as an expansive subject area where students learn to communicate, challenge, and express their ideas through the position of both artist and audience (ACARA, 2010). Through working with “visual techniques, technologies, … and processes” (ACARA, 2010), students are afforded the opportunity to acknowledge and respond to important art histories, theories, and cultures to develop an understanding of their societal responsibilities and to learn the significance of self-expression through visual arts practice. (ACARA, 2010). Ewing (2011, p.1) contends that involvement in such creative processes can “improve an individual’s enjoyment” in school and positively direct their sense of identity, self-confidence, and well-being. The visual arts curriculum is aligned with the overarching aims of Australian education outlined in the Alice Springs (Mparntwe) Education Declaration, where highlighted is the goal that “all young Australians become confident and creative individuals, successful lifelong learners, [and] active and informed members of the community" (COAG Education Council, 2019).

(Hart, 2020)

The visual arts discipline is an ‘open book’ that invites integrated pedagogical approaches that encourage students to seek out a deeper understanding of their learning (Ewing, 2011, p.31). One of these impactful pedagogies is Inquiry-Based Learning, where learners become “both the problem posers and problem solvers” (Churchill et al., 2021, p.205). Through developing their questioning prowess, students can learn to inquire with intention and create links between the production of new knowledge, affording a starting point for exploration and reflection. Churchill et al. (2021, p.132) believe that by directing their own learning and inquiries, students are likely to become intrinsically motivated as they seek to discover new information on their terms. The Australian Curriculum recognises that in mainstream education “there will be differences in student's cognitive, social and emotional development” (Churchill et al., 2021), therefore differentiation is a ‘must-have’ pedagogical strategy in every classroom as well as within the arts. Differentiation aims to support classrooms in meeting the needs of all students and can provide equitable opportunities for students across a range of diverse backgrounds (Churchill et al., 2021).

References:

Australian Curriculum, Assessment and Reporting Authority (ACARA). (2010). The Arts F-10 Curriculum. https://www.australiancurriculum.edu.au/f-10-curriculum/the-arts/

Australian Curriculum, Assessment and Reporting Authority (ACARA). (2011). Shape of the Australian Curriculum: The Arts. [report]. https://docs.acara.edu.au/resources/Shape_of_the_Australian_Curriculum_The_Arts_-_Compressed.pdf

Australian Curriculum, Assessment and Reporting Authority (ACARA). (2010). Visual Arts F-10 Curriculum. https://www.australiancurriculum.edu.au/f-10-curriculum/the-arts/visual-arts/

Churchill, R., Godinho, S., Johnson, N. F., Keddie, A., Letts, W., Lowe, K., Mackay, J., McGill, M., Moss, J., Nagel, M. C., Shaw, K., Ferguson, P., Nicholson, P., and Vick, M. (2021). Teaching: Making a Difference (5th ed.). John Wiley & Sons. Incorporated, Melbourne, AUSTRALIA. http://ebookcentral.proquest.com/lib/deakin/detail.action?docID=6729416

Council of Australian Governments [COAG] Education Council. (2019). Alice Springs (Mpanrtwe) Education Declaration. Education Services Australia. https://www.dese.gov.au/alice-springs-mparntwe-education-declaration

Ewing, R. (2011). The Arts and Australian Education: Realising potential. [report]. Australian Council for Educational Research (ACER). https://research.acer.edu.au/cgi/viewcontent.cgi?article=1020&context=aer

Hart, S. (2020). People gazing at portraits containing people of colour painted with bright colours. [Image]. Free Spirit Media. https://freespiritmedia.org/features-search/2020/3/4/345-art-gallery-hosted-the-portrait-narratives-in-black-form-exhibit-a-night-to-give-recognition-to-black-artists-in-chicago

Huls-Perera, A. (n.d.). Art room desk. Unsplash. https://unsplash.com/es/@andreahuls

O’Toole, J. [Professor John O'Toole]. (2014). What are the arts for? [Video]. YouTube. https://www.youtube.com/watch?v=RSSW7rDHwkk

Robinson, K. [Sir Ken Robinson]. (2006). Do schools kill creativity? [Video]. TED Conferences. https://www.ted.com/talks/sir_ken_robinson_do_schools_kill_creativity/discussion

Raphael, J., & Hunter, M. A. (2017). The arts and teaching for diversity. In C. Sinclair, N.

Jeanneret, & J. O'Toole (Eds.), Education in the Arts (Third edition ed., pp. 251-265).

OUPANZ. https://ebookcentral-proquest-com.ezproxy-f.deakin.edu.au/lib/deakin/reader.action?docID=5199515&ppg=275

http://ezproxy.deakin.edu.au/login?url=https://ebookcentral.proquest.com/lib/deakin/detail.action?docID=5199515

Van Gogh, V. (1887). Self-Portrait with Grey Felt Hat. [Image]. Van Gogh Museum. https://www.vangoghmuseum.nl/en/art-and-stories/stories/5-things-you-need-to-know-about-van-goghs-self-portraits